The lady with the round glasses is talking about Kundera. And Kawabata. Tuning her out, I doodle a big K, then start a list of other (bigger) Ks: Kabir, Keats, Kerouac, Khayyam, Khusrau, Kafka, King. She is still at it, making a faraway, invisible point. The unbearable burden of listening. It will take a lifetime to read just the Ks. There are more. Kahlil Gibran, Kazuo Ishiguro, Ken Follet. She is describing things that are beautiful and sad at the same time. There is some sadly beautiful word for them. Wabi-Sabi? Mono no aware? Us? The whole world? Falling apart. Healing. Scratching its scars. Bleeding. Healing. Breaking again. Broken forever.
deserted beach —
how quickly the purple twilight
grabs my arm
JK Rowling. AK Ramanujan. RK Narayan. GK Chesterton. The fan whirls slowly above us. She has moved on to the distinction of the Nobel prize. Kawabata won. Kundera didn’t. Beckett. Steinbeck. Pamuk. I need Google. And koffee. I can’t think of any famous literary character. Except Anna Karenina. Then I draw a blank. Literally. Her voice is an eraser. How about Sherlock Holmes? Herckule Poirot? Skarlett O’Hara? I am in an abandoned library with the last four books that haven’t burned down. I can’t name any others. Not with K. Not with anything. Her voice is a fog and now I’m lost. It is snowing.
But there are K words that have voices and smells. Kahwa. Kakistocracy. Kintsugi. Repairing with gold. An earth with all its wounds filled, bright as the sun. The way the morning light fills your empty arms when you wake up. The unbearable mass of light. That must be what halos are. When all your memories are healed (sealed?) and you can think again. Be again. Become an angel. Fly. Again.
then the birds arrive
one, two, three, four
then the shadows: one, two, three, four, five
I think of Kobayashi Issa. Issa who said: this dewdrop world / is a dewdrop world / and yet, and yet…. She has been interrupted. Stopped. Or she has finally run out of words. Khalaas. The unbearable silence of silence. The sound of a page turning. The sound of a world turning. The sound of light. Like Kawabata’s train, this too has come out of a long tunnel and into the snow country. Snow covers the kintsugi lines. You don’t know. You have to take a chance. Underneath, the path could be broken. Or there could be a perfect seam of gold. Kismet.
the way we live
the way we die
the way we know, we don’t
And loved this – question why more shadows than birds? 🦅
LikeLike
Thank you… good question…from the paragraph preceding it… it suggests the narrator’s presence/ memories/ light itself with its mass / angels… depending on what has healed or not, I suppose. How do you read it?
LikeLike
Well, OK!
LikeLiked by 1 person
😀
LikeLiked by 1 person
Love this: “The unbearable mass of light. That must be what halos are. When all your memories are healed (sealed?)” – 👌🏼👌🏼
LikeLike
Thank you, Nina… this is a form I really like…will keep experimenting with it for a while!
LikeLiked by 1 person
I love this, especially kintsugi, the earth with all its wounds filled (the dream of my heart). I love the quality of the light, and the silence, noted so beautifully in your poem. This gives me some hope this morning. Even though we know and try to live as if we dont know, in order to survive. Sigh. Just beautiful, my friend.
LikeLike
Thanks so much…. this form is always fun to work with.
LikeLike
‘An earth with all its wounds filled, bright as the sun..
I feel guilty choosing a line with no K in it. If only we could make the earth more beautiful that way, like we can a broken bowl. If we walk on it, though, we will burn our feet. The Midas touch?
LikeLike
Yes, there may be consequences even if we do repair the world with gold at some point… 😦
LikeLike