later, much later,
warming my hands over a vagrant fire,
I wondered what I dared to be,
I wondered how much I cared to see;
was I left behind by hot desert storms
that blow sand into Jaipur’s unwashed screams,
or am I of the wind that wafts in from the plain
weaving through delicate mustard fields,
what can I claim of these ancient hills,
whose is this this land, these tongue-tied trees,
did I come from peacock feather fans
that cooled the neck of kings and queens,
or was I the breath of a barren wife
who kneaded time into empty dreams;
for a moment I let her veil flutter
and felt her soft rose petalled face,
for a moment her bangles played a tune,
the palace faded from her gaze,
later, much later,
fingers darkened by her kohl,
I wondered where the past began,
I wondered what a stilled breeze can,
who owns the sky I cannot reach
to whom does the dry riverbed preach,
that bird that sews riven clouds
whose is the light she hides from gods,
why was she crying, beneath sequinned silk,
whose song fills my heart, whose is the ink?
I wondered if the scarred moon would know,
where the future ended, where dead winds go,
later, much later.
Stunning with beautiful phrases! Lovely!
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Thanks so much.
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later, much later, we will all realize that everyone and everything are interconnected not only by the past, but also by the present and the future. lovely piece, thot
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Hopefully we do… thanks so much Totomai.
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Again, your imagery is both haunting and sensuous, and the almost rhyme pulls the reader from one line to the next, chasing the music almost heard. All of it, reminds one of how when we try to go back and recapture a place, we must rely on the ghosts of feelings which can be as tongue-tied as trees.
Elizabeth
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History unfortunately has become the preserve of those who can afford it. The poor seem to be as disconnected from it as from everything else, sadly. Especially when it is packaged and sold just for well heeled tourists.
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And that might be why the world still needs poets. Most of us do live among the poor.
Elizabeth
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The trickle of rhyme through this is mesmerizing, pinned against such powerful and emotive images. Awesome writing!
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Thanks so much Wendy.
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If only more of us thought this way and tried to find our place in the now, the past and the future, How beautifully written this is.
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Thanks so much Robin. that was exactly the feeling with which I started writing it. So glad you brought it up.
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The way you bring in the moon at the end works very well. Enchanting.
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Thanks Matthew.
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“to whom does the dry riverbed preach,”
I thought this was a very sad image. The hopelessness of pasts portending, even so to a present rather than a future
Happy Sunday
Much love…
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Thanks Gillena.
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Another interesting piece.
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Thanks ZQ š
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This is very beautiful. I loved the different winds and, especially, the “tongue-tied trees”.
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Thanks Sherry.
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Where did the dead winds go later ? They reach and sweep across the Liverpool Plains howling like a dog that has been left outside.
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Must be the long journey from Jaipur to Liverpool š Thanks so much Rall.
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Beautiful piece that gave me haunting thoughts of rebirth in calm and chaos…bkm
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Thank you š
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For me, another fine piece of writing here. From the opening stanza your poem flowed poeticaly through to the end
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Thanks Julian.
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This is one of your best, I think. And that’s really saying something, considering what a mesmerizing and skilled poet you are.
For now, this is what I will take with me to ponder:
“warming my hands over a vagrant fire,
I wondered what I dared to be”
But you’d better believe I’ll be back for subsequent readings.
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Thank so much.. am glad you liked it. š
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I love the way you evoke the place.
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Thank you š
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The dry riverbed preaches, I think, to anyone who has ears to hear. Unfortunately, they are few and far between.
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Thanks Magic š
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You had me gripped by the first line – such an emotive description of person and place
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Thanks Jaeš
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My goodness, this is absolutely enthralling !!ā¤ļø
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Thanks so much Sanaa š
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This is stunning.
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Thanks so much. Glad you liked it.
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A very touching piece. For me it represents the duty we feel to constructs such as countries, the mirage of it, even when we know we do not have to feel it. I am sorry if I got the meaning all wrong, I really loved the poem!
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Oh yes, I think I was contemplating belonging and origin and ownership as I wrote it. Thanks so much…am so glad you liked it.
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the ink is the moist kohl
the moon claims it for want
of night and the wind for
willing a newer sun and the
riverbed for an unparched
flow of ink the moist kohl
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It’s funny how when past and present meld, everything is different, yet everything is just the same… šš
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